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Original Article

The Evolution of Music Therapy

Five Eras and Their Spirit

Published Online:https://doi.org/10.1026/0933-6885/a000221

Abstract. Five overlapping eras or stages can be distinguished in the evolution of music therapy. The first one refers to the historical roots and ethnological sources that have influenced modern meta-theoretical perspectives and practices. The next stage marks the heterogeneous origins of modern music therapy in the 20th century that mirror psychological positions and novel clinical ideas about the healing power of music. The subsequent heyday of music therapeutic models and schools of thought yielded an enormous variety of concepts and methods such as Nordoff–Robbins music therapy, Orff music therapy, analytic music therapy, regulatory music therapy, guided imagery and music, sound work, etc. As music therapy gained in international importance, clinical applications required research on its therapeutic efficacy. According to standards of evidence-based medicine and with regard to clearly defined diagnoses, research on music therapeutic practice was the core of the fourth stage of evolution. The current stage is characterized by the emerging epistemological dissatisfaction with the paradigmatic reductionism of evidence-based medicine and by the strong will to discover the true healing nature of music. This trend has given birth to a wide spectrum of interdisciplinary hermeneutics for novel foundations of music therapy. Epigenetics, neuroplasticity, regulatory and chronobiological sciences, quantum physical philosophies, universal harmonies, spiritual and religious views, and the cultural anthropological phenomenon of esthetics and creativity have become guiding principles. This article should not be regarded as a historical treatise but rather as an attempt to identify theoretical landmarks in the evolution of modern music therapy and to elucidate the evolution of its spirit.


Die Evolution der Musiktherapie. Fünf Äras und deren Leitideen

Zusammenfassung. Betrachtet man die Evolution der Musiktherapie, so lassen sich fünf, sich teils überlappende Phasen verorten. Die erste bezieht sich auf historische Quellen und ethnische Phänomene, welche neue meta-theoretische Sichtweisen und therapeutische Praktiken inspiriert und geprägt haben. Die nächste Phase bezieht sich auf heterogene Ideen und Fundierungen musiktherapeutischer Ansätze im zwanzigsten Jahrhundert. Diese spiegeln sowohl psychologische Positionen wie auch innovative klinische Ansichten über die heilende Wirkung von Musik wider. Die folgende Blütezeit musiktherapeutischer Schulen und Modelle, die Phase 3, brachte eine enorme Vielfalt an Konzepten und Methoden mit sich wie etwa Nordoff-Robbins Musiktherapie, Orff-Musiktherapie, Analytische Musiktherapie, Regulative Musiktherapie, Guided Imagery and Music (GIM) und Sound Work. Im Zuge dessen, dass Musiktherapie international an Bedeutung gewann, wurde Forschung zur therapeutischen Effizienz ihrer klinischen Anwendung notwendig. Standards und Designs evidenzbasierter medizinischer Forschung an Patienten mit klar umrissenen Diagnosen und Störungskomplexen wurden international für die Phase 4 zum Markenzeichen. Die gegenwärtig erstarkende fünfte Phase der Musiktherapie ist durch eine zunehmende, erkenntnistheoretisch motivierte Unzufriedenheit mit den pragmatischen Reduktionismen evidenzbasierter medizinischer Forschungszugänge sowie einen starken Willen, das Wesen der heilenden Kräfte von Musik aufzuspüren, charakterisiert. Diese Entwicklungen haben ein weites Spektrum interdisziplinärer Hermeneutik zu neuen Begründungen von Musiktherapie auf das Tapet gerufen. Epigenetik, Neuroplastizität, Regulationsmedizin und Chronobiologie, quantenphysikalisch orientierte Philosophien, Konzeptionen universeller Harmonie, spirituelle und religiöse Perspektiven und das kulturanthropologische Phänomen von Ästhetik und Kreativität sind hier neue Leitprinzipien der Reflexion geworden. Der Artikel soll nicht als historische Abhandlung, sondern vielmehr als Versuch verstanden werden, neue Eckpfeiler der Theorien moderner Musiktherapie zu identifizieren und die Evolution eines neuen Geistes in der Musiktherapie zu erhellen.

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