Skip to main content
Original Article

Personality of Clown Doctors

An Exploratory Study

Published Online:https://doi.org/10.1027/1614-0001/a000187

Abstract. In recent years, both professional and volunteer clowns have become familiar in health settings. The clown represents a peculiar humorist’s character, strictly associated with the performer’s own personality. In this study, the Big Five personality traits (BFI) of 155 Italian clown doctors (130 volunteers and 25 professionals) were compared to published data for the normal population. This study highlighted specific differences between clown doctors and the general population: Clown doctors showed higher agreeableness, conscientiousness, openness, and extraversion, as well as lower neuroticism compared to other people. Moreover, specific differences emerged comparing volunteers and professionals: Professional clowns showed significantly lower in agreeableness compared to their unpaid colleagues. The results are also discussed with reference to previous studies conducted on groups of humorists. Clowns’ personalities showed some peculiarities that can help to explain the facility for their performances in the health setting and that are different than those of other groups of humorists.

References

  • Ando, V., Claridge, G. & Clark, K. (2014). Psychotic traits in comedians. The British Journal of Psychiatry, 204, 341–345. doi: bjp-bp.113.134569 First citation in articleCrossrefGoogle Scholar

  • Atlas, G. D. & Them, M. A. (2008). Narcissism and sensitivity to criticism: A preliminary investigation. Current Psychology, 27, 62–76. doi: 10.1007/s12144-008-9023-0 First citation in articleCrossrefGoogle Scholar

  • Caprara, G. V., Barbaranelli, C., Consiglio, C., Picconi, L. & Zimbardo, P. G. (2003). Personalities of politicians and voters: Unique and synergistic relationships. Journal of Personality and Social Psychology, 84, 849. doi: 10.1037/0022-3514.84.4.849 First citation in articleCrossrefGoogle Scholar

  • Carlo, G., Okun, M. A., Knight, G. P. & de Guzman, M. R. T. (2005). The interplay of traits and motives on volunteering: Agreeableness, extraversion and prosocial value motivation. Personality and Individual Differences, 38, 1293–1305. doi: 10.1016/j.paid.2004.08.012 First citation in articleCrossrefGoogle Scholar

  • Costa, P. T. Jr. & McCrae, R. R. (1992). Revised NEO personality inventory (NEO-PI-R and NEO five-factor inventory (NEO-FFI) professional manual. Odessa, FL: Psychological Assessment Resources. First citation in articleGoogle Scholar

  • Dionigi, A., Flangini, R. & Gremigni, P. (2012). Clowns in hospitals. In P. GremigniEd., Humor and health promotion (pp. 213–227). New York, NY: Nova Science. First citation in articleGoogle Scholar

  • Dionigi, A., Ruch, W. & Platt, T. (2014). Components and determinants of the shift between own persona and the clown persona: A hierarchical analysis. European Journal of Humour Research, 1, 58–80. First citation in articleCrossrefGoogle Scholar

  • Dionigi, A., Sangiorgi, D. & Flangini, R. (2014). Clown intervention to reduce preoperative anxiety in children and parents: A randomized controlled trial. Journal of Health Psychology, 19, 369–380. doi: 10.1177/1359105312471567 First citation in articleCrossrefGoogle Scholar

  • Eysenck, H. J. (1995). Creativity as a product of intelligence and personality. In D. H. SaklofskeM. ZeidnerEds., International handbook of personality and intelligence (pp. 231–247). New York, NY: Plenum Press. First citation in articleGoogle Scholar

  • Eysenck, M. W. & Derakshan, N. (2011). New perspectives in attentional control theory. Personality and Individual Differences, 50, 955–960. doi: 10.1016/j.paid.2010.08.019 First citation in articleCrossrefGoogle Scholar

  • Fisher, S. & Fisher, R. L. (1981). Pretend the world is funny and forever: A psychological analysis of comedians, clowns, and actors. Hillsdale, NJ: Erlbaum. First citation in articleGoogle Scholar

  • Greengross, G., Martin, R. A. & Miller, G. F. (2012). Personality traits, intelligence, humor styles, and humor production ability of professional stand-up comedians compared to college students. Psychology of Aesthetics, Creativity and the Arts, 6, 74–82. doi: 10.1037/a0025774 First citation in articleCrossrefGoogle Scholar

  • Greengross, G. & Miller, G. F. (2009). The Big Five personality traits of professional comedians compared to amateur comedians, comedy writers, and college students. Personality and Individual Differences, 47, 79–83. doi: 10.1016/j.paid.2009.01.045 First citation in articleCrossrefGoogle Scholar

  • Grinberg, Z., Pendzik, S., Kowalsky, R. & Goshen, Y. (2012). Drama therapy role theory as a context for understanding medical clowning. The Arts in Psychotherapy, 39, 42–51. doi: 10.1016/j.aip.2011.08.005 First citation in articleCrossrefGoogle Scholar

  • Janus, S. S. (1975). The great comedians: Personality and other factors. American Journal of Psychoanalysis, 35, 169–174. doi: 10.1007/BF01358189 First citation in articleCrossrefGoogle Scholar

  • Janus, S. S., Bess, B. E. & Janus, B. R. (1978). The great comediennes: Personality and other factors. The American Journal of Psychoanalysis, 38, 367–372. doi: 10.1007/BF01253595 First citation in articleCrossrefGoogle Scholar

  • John, O. P. & Srivastava, S. (1999). The big five trait taxonomy: History, measurement, and theoretical perspectives. In L. A. PervinO. P. JohnEds., Handbook of personality: Theory and research (pp. 102–138). New York, NY: Guilford Press. First citation in articleGoogle Scholar

  • Kogan, N. (2002). Careers in the performing arts: A psychological perspective. Creativity Research Journal, 14, 1–16. doi: 10.1207/S15326934CRJ1401_1 First citation in articleCrossrefGoogle Scholar

  • Köhler, G. & Ruch, W. (1996). Sources of variance in current sense of humor inventories: How much substance, how much method variance? Humor, 9, 363–398. doi: 10.1515/humr.1996.9.3-4.363 First citation in articleCrossrefGoogle Scholar

  • Koller, D. & Gryski, C. (2008). The life threatened child and the life enhancing clown: Towards a model of therapeutic clowning. Evidence-Based Complementary and Alternative Medicine, 5, 17–25. doi: 10.1093/ecam/nem033 First citation in articleCrossrefGoogle Scholar

  • Koppel, M. A. & Sechrest, L. (1970). A multitrait-multimethod matrix analysis of sense of humor. Educational and Psychological Measurement, 30, 77–85. doi: 10.3102/00346543046003407 First citation in articleCrossrefGoogle Scholar

  • Lecoq, J. (2011). The moving body (Le corps poetique): Teaching creative theatre. London, UK: Methuen. First citation in articleGoogle Scholar

  • Liao-Troth, M. A. (2005). Are they here for the long haul? The effects of functional motives and personality factors on the psychological contracts of volunteers. Nonprofit and Voluntary Sector Quarterly, 34, 510–530. doi: 10.1177/0899764005279513 First citation in articleCrossrefGoogle Scholar

  • Mayer, J. D., Salovey, P. & Caruso, D. R. (2004). TARGET ARTICLES: “Emotional intelligence: Theory, findings, and implications”. Psychological Inquiry, 15, 197–215. doi: 10.1207/s15327965pli1503_02 First citation in articleCrossrefGoogle Scholar

  • McCrae, R. R. & Costa, P. T. Jr. (2003). Personality in adulthood: A five-factor theory perspective. New York, NY: Guilford Press. First citation in articleCrossrefGoogle Scholar

  • Miller, K. A., Jasper, C. R. & Hill, D. R. (1991). Costume and the perception of identity and role. Perceptual and Motor Skills, 72, 807–813. First citation in articleCrossrefGoogle Scholar

  • Nettle, D. (2006). Psychological profiles of professional actors. Personality and Individual Differences, 40, 375–383. doi: 10.1016/j.paid.2005.07.008 First citation in articleCrossrefGoogle Scholar

  • Nowakowska, C., Strong, C. M., Santosa, C. M., Wang, P. W. & Ketter, T. A. (2005). Temperamental commonalities and differences in euthymic mood disorder patients, creative controls, and healthy controls. Journal of Affective Disorders, 85, 207–215. doi: 10.1016/j.jad.2003.11.012 First citation in articleCrossrefGoogle Scholar

  • Peacock, L. (2009). Serious play: Modern clown performance. Bristol, UK: Intellect Books. First citation in articleGoogle Scholar

  • Pearson, P. (1983). Personality characteristics of cartoonists. Personality and Individual Differences, 4, 227–228. doi: 10.1016/0191-8869(83)90030-2 First citation in articleCrossrefGoogle Scholar

  • Pendzik, S. & Raviv, A. (2011). Therapeutic clowning and drama therapy: A family resemblance. The Arts in Psychotherapy, 38, 267–275. doi: 10.1016/j.aip.2011.08.005 First citation in articleCrossrefGoogle Scholar

  • Ruch, W. (2008). Psychology of humor. In V. RaskinEd., The primer of humor research (pp. 17–100). Berlin, Germany: Mouton de Gruyter. First citation in articleGoogle Scholar

  • Ruch, W. & Köhler, G. (1998). A temperament approach to humor. In W. RuchEd., The sense of humor: Explorations of a personality characteristic (pp. 203–230). Berlin, Germany: Mouton de Gruyter. First citation in articleGoogle Scholar

  • Steptoe, A., Malik, F., Pay, C., Pearson, P., Price, C. & Win, Z. (1995). The impact of stage fright on student actors. British Journal of Psychology, 86, 27–39. doi: 10.1111/j.2044-8295.1995.tb02544.x First citation in articleCrossrefGoogle Scholar

  • Ubbiali, A., Chiorri, C., Hampton, P. & Donati, D. (2013). Psychometric properties of the Italian adaptation of the Big Five Inventory (BFI). Bollettino di Psicologia Applicata, 266, 37–48. First citation in articleGoogle Scholar

  • Warren, B. & Spitzer, P. (2013). Smiles are everywhere: Integrating clown-play into healthcare practice. London, UK: Routledge. First citation in articleCrossrefGoogle Scholar